Attention fans of The Fountainhead and serious collectors alike: for the first time in 26 years, you can bid on and own this original Ayn Rand memorabilia.

Culled from her papers and first auctioned by ARI in 1993, on offer is a clippings folder labeled "Clippings - 'The Fountainhead' (since our return to N.Y. - 1951)" in Ayn Rand's penciled handwriting. Inside are 21 varied newspaper clippings and one piece of publishing ephemera. Many of these clippings contain her writing, such as the date or the name of the newspaper. She combined mentions of both the movie and the book in the same folder.

Notable highlights include TV Guide pages carefully saved and stapled together--with The Fountainhead movie airings highlighted; a humorous bit in an NYT column by David Dempsey about how to calculate the cost of a reprint; and a column called "What London Is Reading," by Wallace Reyburn. Reyburn's analysis of the most in-demand books at London's public libraries includes a highly favorable review of the book he's checked out the most. Spoiler alert: it's The Fountainhead.

Each separate piece has been housed in an archival Mylar L-Sleeve (and backed with acid-free paper where appropriate) for safe storage and handling. Includes a letter of provenance signed by Leonard Peikoff.

This unique group of items is united by one overarching theme: Ayn Rand's love of cats.

The first item is a sterling silver winking cat pin owned by Ayn Rand. The item donor saw Ayn Rand wear this pin while attending her nonfiction writing course. The pin's diameter is approximately 2". The back is imprinted:

JoPoL

STERLING

GEORG JENSEN INC.

U.S.A.

256

JoPol is for Joan Polsdorfer, the first American jewelry designer to work for Georg Jensen. Georg Jensen is a Danish company founded in 1904, known for its craftsmanship and elegant Scandinavian design. The pin's patina has not been removed. A small black velvet display case included.

The second item is a kitten handkerchief measuring 11" square. The handkerchief has been carefully stitched onto a black velvet background and framed for display. Framed with a minimalist black and silver frame using archival materials. The overall dimensions of this deluxe framed piece are approximately 18" by 18".

The third and last item is an original Julius Shulman photographic print. This print was obtained directly from his studio and bears a Shulman-inscribed catalog number. Since Shulman's death in 2009, his photo archive has been relocated to the Getty Research Institute.

The photograph of Ayn Rand and Frank O'Connor was taken in 1947. They are standing on a patio of the Richard Neutra-designed von Sternberg house, built in 1934 in Chatsworth, California. Ayn can be seen holding one of her beloved cats. This print is also framed with a black velvet mat and minimalist black and silver frame (using archival materials). The overall dimensions of this deluxe framed piece are 16 1/2" by 14 1/2".

Includes a letter of provenance for the pin and the handkerchief, signed by Leonard Peikoff.

Originally won at an ARI auction in 1987, Ayn Rand's copy of Henry Hazlitt's The Great Idea was donated back to ARI and is now available again for the first time in more than 30 years.

This book contains more than four dozen pages of penciled comments in Ayn Rand's distinctive handwriting. Ayn Rand marginalia books rarely surface, and this one has an impeccable provenance.

Economics fans will be thrilled to see her outraged comments in the section discussing Marx's "unworkable dictum." In other places she blasts Hazlitt's equivocating language or takes umbrage at a depiction of "cupidity."

There is one small "page turning" tear at the middle bottom of pp. 319/320. Both the recto and verso of this leaf are heavily annotated, so it may have been torn by Ayn Rand, working in haste.

The poor condition original dust jacket has been protected with a Brodart cover for safe handling. Housed in a custom blue and white clamshell case that plays off the cover colors.

Celebrating the 20th anniversary of the Ayn Rand postage stamp release, this is the first of two stamp-related offerings.

Signed by artist Nick Gaetano, this limited edition print of the Ayn Rand stamp is number 72 out of 250.

Framed using archival-quality materials, its golden yellow mat highlights the sunbeams slanting toward the left half of Ayn Rand's face. The generously sized red-orange frame picks up the glow of the sunset in the background, while its silvered glazing complements the blue shadows on the right half of Ayn Rand's face.

The overall dimensions of this deluxe framed piece are 23 1/2" by 29".

This first edition hardcover copy of The Romantic Manifesto (celebrating its 50th publication anniversary) is inscribed by Ayn Rand on the title page.

Autographed copies of this edition are comparatively rare, but what sets this volume apart are the extensive notes written by its owner, artist Sylvia Bokor.

There's no doubt that this work of nonfiction was of paramount importance to Ms. Bokor. Page after page is filled with her analyses on concepts such as "sense of life," or the definition of "romanticism."

Art lovers will relish the opportunity to see how a working artist and Objectivist explores the ideas set forth by the first working artist and Objectivist: Ayn Rand herself.

The still bright dust jacket remains in good condition, despite several chips and small tears. Protected with a Brodart cover and housed in a custom black clamshell case.

Originally won at an ARI auction in 1991, Ayn Rand's copy of Carl Snyder's Capitalism the Creator was donated back to ARI and is now available again for the first time in more than 25 years.

Subtitled The Economic Foundations of Modern Industrial Society, this work is referenced in Capitalism: The Unknown Ideal, in the chapter "Common Fallacies About Capitalism."

The Macmillan Company, New York, 1941. Red boards without dust jacket; very good condition with 44 original charts. There is some slight foxing along the inside crease of the front end page, and a small moisture mark along the bottom page edges (not visible on inner leaves). Housed in a black custom clamshell case, with gold lettering to match the book's spine.

This work's title page contains an ancient Greek quotation that translates: "If you do not know that for money-making the best capital of all is trustworthiness, you do not know anything at all."